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![](https://www.carliergebauer.com/wp-content/uploads/2024/04/MT_2023_Untitled_WID25538_e_withPerson-300x240.jpeg)
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![](https://www.carliergebauer.com/wp-content/uploads/2024/04/MT_2023_Untitled_WID25538_a_-300x213.jpeg)
![](https://www.carliergebauer.com/wp-content/uploads/2024/04/MT_2023_Untitled_WID25538_e_withPerson-300x240.jpeg)
![](https://www.carliergebauer.com/wp-content/uploads/2024/04/MT_2023_Untitled_WID25538_c_detail1-300x200.jpeg)
![](https://www.carliergebauer.com/wp-content/uploads/2024/04/MT_2023_Untitled_WID25538_d_detail2-300x200.jpeg)
Untitled, 2023
acrylic on canvas
274 × 488 cm
For a decade and a half now, Maria Taniguchi, whose practice includes sculpture, installation, video, and printmaking, has obsessively and methodically, produced a singular type of painting. Of varying sizes and proportions, these dark brooding monochromes, most often larger-than-life in scale, consist of tessellations of hundreds or thousands of identical rectangular units, each measuring two by six centimeters, arranged in neat lines.